Ray van der Bas

“I rely on the DoPchoice RABBIT-EARS^® that fit both the Nova P300c and P600c. ”

Van der Bas pairs Aputure Nova with DoPchoice

Amsterdam-based gaffer Ray van der Bas approaches every lighting setup—whether in a studio or on location—as a process of combining fixtures and modifiers to achieve the precise look each production demands. Operating from his own equipped van, he tailors a highly adaptable lighting package that allows him to meet the demands of a wide spectrum of productions—including commercials, documentaries, interviews and narrative work. His lighting kit includes two Aputure Nova p300c and four Nova p600c panels, which he expands with a carefully selected set of accessories.

One Modifier, Two Novas, Great Softness

To maximize the versatility of these fixtures, Van der Bas relies on two rectangular DoPchoice RABBIT-EARS^® that fit both the p300c and p600c. Paired with DoPchoice Octa 3 or Octa 5 softbox, the Novas can be transformed into exceptionally soft sources with a larger spread. “These sturdy modifiers are a great asset,” he explains, “because they allow me to make the panels much softer while expanding the light surface at the same time.”

Where Reflection Becomes a Creative Tool

Reflecting light has also become a defining part of his approach. While traditional bounce boards—white, (soft)silver, checkerboard—were once standard, he notes that the introduction of the K-flect system brought new levels of control, paving the way to today’s refined reflector tools. The Lightbridge CRLS system, in particular, has become integral to his work. “To paint with light there are so many tools available, but the CRLS reflectors really clicked in my workflow,” he says.

“Because I work from my own van, my lighting package has to be flexible enough to handle anything: From commercials and documentaries to interviews and narrative work.”

Small Setup, Cinematic Mood

For interview setups, Van der Bas often uses a Nova p600c with a DoPchoice Octa 5 as a key light. However, for a recent promotional video for a new podcast dock in Almere, they created a moody, smoky-bar aesthetic. To preserve that atmosphere, he opted for a more compact configuration: a Nova p600c equipped with an Octa 3, combined with a DoPchoice SNAPGRID^® for additional control. Using an offset arm, he was able to position the softbox further into the scene without entering the frame, illuminating the subject while keeping the surrounding environment intentionally subdued.

This combination of fixtures and modifiers allowed him to shape the light with precision—maintaining the desired mood while ensuring the interviews remained visually engaging and controlled.